{"id":4260,"date":"2011-07-12T16:26:00","date_gmt":"2011-07-12T14:26:00","guid":{"rendered":"https:\/\/euroalter.local\/2011\/une-carte-subjective-de-la-ville-cluj-vu-par-nous-memes-a-travers-les-gendered-and-artistic-networks"},"modified":"2011-07-12T16:26:00","modified_gmt":"2011-07-12T14:26:00","slug":"une-carte-subjective-de-la-ville-cluj-vu-par-nous-memes-a-travers-les-gendered-and-artistic-networks","status":"publish","type":"post","link":"https:\/\/euroalter.com\/it\/une-carte-subjective-de-la-ville-cluj-vu-par-nous-memes-a-travers-les-gendered-and-artistic-networks\/","title":{"rendered":"Une carte subjective de la ville: Cluj vu par nous-m\u00eames \u00e0 travers les Gendered and Artistic Networks"},"content":{"rendered":"

Traduction d'Adelina Ionescu<\/strong><\/p>\n

La carte [<\/strong>?<\/strong>klu<\/strong>?<\/strong>na<\/strong>?<\/strong>poka] <\/strong>a \u00e9t\u00e9 cr\u00e9\u00e9e pendant un atelier organis\u00e9 \u00e0 Cluj-Napoca (Roumanie), dans le cadre du projet \u00ab\u00a0Visualizing Traditionalism\u00a0\u00bb, qui est fortement li\u00e9 au Festival Transeuropa 2011.<\/p>\n

<\/p>\n

\t\"\"<\/div>\n

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GenderArtNet, un projet exp\u00e9rimental de cartographie, constitue le point de d\u00e9part\u00a0; il explore l’interrelation du genre, de l’ethnicit\u00e9, de la race, de la classe sociale et des sexualit\u00e9s dans l’Europe contemporaine.
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Un groupe de personnes s'int\u00e9ressant \u00e0 la cartographie et \u00e0 la classification, ont discut\u00e9 et travaill\u00e9 ensemble \u00e0 Cluj-Napoca (Roumanie) pendant une semaine. Certains d’entre eux sont venus en avion, d’autres en bus, \u00e0 pied ou en faisant du stop, selon qu’ils viennent de Cluj ou d’ailleurs.
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Diverses conversations sur Cluj-Napoca et la Transylvanie ont eu lieu. En utilisant la polys\u00e9mie des symboles et des d\u00e9placements imaginaires, les discours sur la ville et la nation ont commenc\u00e9 \u00e0 s’ouvrir \u00e0 \u00a0de surprenants raccourcis, \u00e0 des diversions temporelles, ou \u00e0 des g\u00e9om\u00e9tries \u00e9lastiques. Le consum\u00e9risme a \u00e9t\u00e9 vu comme un vecteur des extr\u00e9mit\u00e9s spatiales – \u00ab\u00a0Le centre commercial est au d\u00e9but ou \u00e0 la fin du monde\u00a0?\u00a0\u00bb – ou une force d’an\u00e9antissement – \u00ab\u00a0L’h\u00f4pital qui soigne les maladies mentales et celui soignant le cancer ainsi que le cimeti\u00e8re sont ignor\u00e9s \u00e0 cause du 1er<\/sup> et du 2nd<\/sup> centre commercial.\u00bb<\/p>\n

L’omnipr\u00e9sence des \u00e9difices religieux r\u00e9unissant des communaut\u00e9s de personnes essayant d’\u00e9chapper \u00e0 \u00ab\u00a0la peur du lendemain\u00a0\u00bb a tournoy\u00e9 \u00e0 travers le temps\u00a0: pendant la p\u00e9riode communiste, pendant le Moyen-\u00c2ge, puis par le sol o\u00f9 l’arch\u00e9ologie se confronte \u00e0 des questions li\u00e9es \u00e0l’identit\u00e9 nationale pour revenir \u00e0 la religion\u00a0: \u00ab\u00a0ces os, sont-ils catholiques\u00a0?\u00bb\u00a0;\u00a0les fronti\u00e8res ont \u00e9t\u00e9 per\u00e7ues en tant qu’ horizons\u00a0: \u00ab\u00a0Tous les jeunes regardent l’a\u00e9roport\u00a0\u00bb.<\/p>\n

Les figures historiques, ressuscit\u00e9es en programmes europ\u00e9ens, ont \u00e9t\u00e9 vues aux c\u00f4t\u00e9s du retour aux pratiques ancestrales. La ville des \u00e9tudiants Erasmus et la r\u00e9gion o\u00f9 un nom est crucifi\u00e9. La compression du temps et de l’espace, le bus Roissy qui amenait les touristes \u00e0 la tour Eiffel am\u00e8ne maintenant les utilisateurs \u00a0de Cluj \u00e0 la prochaine station.<\/p>\n

Le centre-ville\u00a0 en tant que force expulsatrice, qui ne laisse pas entrer les Roms, le centre-ville en tant qu’espace de traduction culturelle pour la confession se d\u00e9roulant \u00e0 la p\u00e9riph\u00e9rie. Le \u00ab\u00a0triangle de la paternit\u00e9\u00a0\u00bb qui unit la mairie, l’administration et l’universit\u00e9, o\u00f9 la ville est projet\u00e9e et con\u00e7ue. Et les bars et la musique, et les bars et l’\u00e9change des connaissances, et les bars et la circulation. Et la circulation et les rencontres dans autant de langues avec ceux qui les parlent ou refusent de les apprendre.
\u00a0
Une carte, donc.
\u00a0
Au recto. Un arri\u00e8re-plan. Les formes des rues ont \u00e9t\u00e9 emprunt\u00e9es et d\u00e9plac\u00e9es al\u00e9atoirement de Openstreetmap, le wikipedia des cartes. Diff\u00e9rents go\u00fbts du hasard, une s\u00e9lection difficile. Une grille.. Six r\u00e9gions ont \u00e9t\u00e9 identifi\u00e9es et class\u00e9es, inspir\u00e9es par une visite du Jardin botanique. \u00ab\u00a0Ornamental\u00a0\u00bb, \u00ab\u00a0Geolyrical\u00a0\u00bb, \u00ab\u00a0Taxonomical\u00a0\u00bb, \u00ab\u00a0Afraid of tomorrow\u00a0\u00bb, \u00ab\u00a0Fermentational\u00a0\u00bb, \u00ab\u00a0Miraculous\u00a0\u00bb, \u00ab\u00a0Exobotanical\u00a0\u00bb, \u00ab\u00a0The end of the world\u00a0\u00bb. Dans la tension entre les \u00e9tiquettes de grilles et les r\u00e9seaux de rues d\u00e9construites, les symboles et les fragments de texte cherchent des affinit\u00e9s, s’attirent et se repoussent l’une \u00e0 l’autre. Au verso. La polys\u00e9mie des symboles cherchant un \u00e9cho dans les mots cl\u00e9s. La classification p\u00e9riodique des \u00e9l\u00e9ments instables et subjectifs.
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Pour plus d’informations, veuillez visiter \u00a0la gale\u00e9rie de photos ci-jointe au http:\/\/www.genderartnet.eu\/cluj\/<\/a>
\u00a0
Texte par GenderArtNet.eu
\u00c9dit\u00e9 par Diana Prisacariu<\/p>\n","protected":false},"excerpt":{"rendered":"

Traduction d'Adelina Ionescu La carte [?klu?na?poka] a \u00e9t\u00e9 cr\u00e9\u00e9e pendant un atelier organis\u00e9 \u00e0 Cluj-Napoca (Roumanie), dans le cadre du projet \u00ab\u00a0Visualizing Traditionalism\u00a0\u00bb, qui est…<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4260","post","type-post","status-publish","format-standard","hentry","category-european-alternatives"],"acf":[],"yoast_head":"\nUne carte subjective de la ville: Cluj vu par nous-m\u00eames \u00e0 travers les Gendered and Artistic Networks - European Alternatives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/euroalter.com\/une-carte-subjective-de-la-ville-cluj-vu-par-nous-memes-a-travers-les-gendered-and-artistic-networks\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Une carte subjective de la ville: Cluj vu par nous-m\u00eames \u00e0 travers les Gendered and Artistic Networks - 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